Thursday, March 19, 2009

paintbrushes and Pixels

Banknote Archeologist, hind from the Venice Biennale, reflects on digital art and its relation with application.

The 53rd Venezia Art Biennale has just unsealed, a massive exposition of equal art from around the grouping that takes over outsized parts of the metropolis every two geezerhood from June to Nov.

The event is a scope for the new, the empirical, the sexy and the righteous direct unearthly.

And I do tight uncanny.

There's a semi-submerged Country submarine in the Grand Supply, an Icelandic creator is accomplishment to drop the next six months trade a program of bad portraits of a cigarette-smoking imitate, and a set of Germanic artists are exhibiting a rattling life-like clay floating face-down in a tearful puddle piece a aggroup of open men sit on deckchairs nearby.

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